Aubrey Beardsley, Jacek Michalak's 242 Illustrations of Aubrey Beardsley PDF

By Aubrey Beardsley, Jacek Michalak

Aubrey Vincent Beardsley (1872-1898) used to be an English illustrator and writer. His drawings in black ink, stimulated through the fashion of jap woodcuts, emphasised the ugly, the decadent, and the erotic. He was once a number one determine within the Aesthetic move which additionally integrated Oscar Wilde and James A. McNeill Whistler. Beardsley's contribution to the advance of the paintings Nouveau and poster types used to be major, regardless of the brevity of his profession earlier than his early loss of life from tuberculosis.

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1978, « Le Livre de poche », p. 362. Introduction XXVII l ’ont plongé dans une rage érotique dont plusieurs fem m es, en une seule journée, ont eu à supporter les conséquences. A cette excitation sexuelle, Justine adjoint la cruauté. « Danton le lisa it pour s ’exciter1. » V ille rs attribu ait ce tra it à Robespierre, Cou thon, S a in t-Ju fi et C ollot; R é t if leur préfère Danton, personnage plu s sexualisé que Robespierre et ses am is. D ans son analyse im plicite, la T erreur rejoint l ’A n cien Régim e, le despotisme jacobin se confond avec le despotisme féo d a l et les débauches de Danton avec celles des frères du roi.

Pierre TeStud, « Rétif et Sade », Kevue des sciences humaines, 1988, n° 2 12 . Monsieur Nicolas, bid. Monsieur Nicolas, t. II, p. 4 5 1. Ibid. Sur les réactions de Sade à l’ égard de Rétif, voir p. l v ii , n. 2. XXVIII Introdufiion prostitution dans P a ris 1 » . Ce qu i tendrait à prouver que le manus­ crit de Sade circulait dans les m ilieu x littéraires. A cette époque où la chape de silence ne s ’efi pas encore abattue sur le texte sadien, la critique — si négative soit-elle — en laisse filtre r quelque chose.

G ilb ert E ely, P ierre K lossom ki, n i M aurice Blanchot n ’avaient voulu participer à cette recherche colletive sur un auteur q u ’ils refusaient de considérer comme « tout autre écrivain ». L e colloque de Cerisy, quinze ans plu s tard, ne devait pas,; reproduire dè tels clivages 123 . 4 Sade ne pouvait pourtant pas s ’assagir dans une textualisation tran qu ille n i dans un consensus général. L ’h ito ire de ses interpréta­ tions e t jalonnée de rappels à sa violence. L es su rréalités s ’étaient entendu reprocher p a r Georges B a ta ille d ’oublier que l ’œuvre de Sade représente d ’abord un épanchement du texte dans la vie, une irruption de linsupportable.

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242 Illustrations of Aubrey Beardsley by Aubrey Beardsley, Jacek Michalak


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